She's less a character and more a joke deliverer, and her relentlessly manic nature is emblematic of the script as a whole. It takes patience to get past how baseline annoying she can be. But most of the time she's a noxious slang abuser growling the word "babaaayyy" over and over. She's redeemable in the few scenes in which she softens, where it becomes clear she's a lonely and over-excitable kid. The big hurdle first: I find Tiny Tina hard to stomach. It exists as a handsome world to roam through with pals, half-listening to dialogue while Paula chews toast and Jeremy complains about work. For Borderlikers, the gun compulsion and farty japes will be enough. It's a loots-be-shoot with a moreish loop urging you onward, boasting characterful art design and thick-lined scenery goading you to pause for yet another snap in photo mode. Tiny Tina's Wonderlands is more mix for the bag. In richer moments, it flips your expectations with a huge scene-changing gag that solicits a hearty giggle. In poorer moments, it falls into the trap of the sketch show, flogging a perfectly fine jokehorse to the point of putrefaction. The comedy of Borderlands is like a high-recoil submachine gun. Sparse laughs can't win Borderlands a new fan.
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